Goofy: putting agenda ahead of revenue

About a week ago, I noted how Disney was using its new live-action version of “Beauty and the Beast” to add a “gay moment,” in the words of the director.  At the time, I pointed out that Disney has become so committed to this agenda that they will accept a ratings plunge just to add it to children’s shows.

And now it appears Disney would rather lose part of the lucrative overseas box office than remove the objectionable scene:

Walt Disney has shelved the release of its new movie “Beauty and the Beast” in mainly Muslim Malaysia, even though film censors said Tuesday it had been approved with a minor cut involving a “gay moment.”

The country’s two main cinema chains said the movie, due to begin screening Thursday, has been postponed indefinitely. No reason was given…

“We have approved it but there is a minor cut involving a gay moment. It is only one short scene but it is inappropriate because many children will be watching this movie,” Abdul Halim told The Associated Press.

He said there was no appeal from Disney about the decision to cut the gay scene.

There can be no doubt that the gay agenda has become more important to Disney than its own revenue.  All I can ask is, “where are the stockholders?”  It would seem time to shake up the leadership of the company, if one is going to invest there to try to make a profit.

One other note: many Hollywood productions travel the globe, where they essentially represent America to foreign audiences.  Shortly after 9/11, one pundit pointed out how Americans might be able to discern reality vs. fantasy in films like “Natural Born Killers,” but foreign audiences could conclude this represents actual American society. Given decisions like Disney’s latest, is there any question as to whether that is helping or harming our image around the world, in a war of ideas where image is critical?

Meanwhile, I hope anyone reading this will make the commitment my family has to avoid Disney or any of its properties.  No trips to Disneyworld (which is vastly overpriced anyway).   No movies in the theater, including Star Wars and Pixar, both of which are sure to be subverted to this agenda at some point.  If we think they’ve produced something worth watching, we’ll catch it on Netflix so they don’t get ticket receipts.  Our days of buying any Disney merchandise are over, too.

Companies like Disney and the tech industry can afford to be “social justice warriors” because they have good cash reserves to make up for temporary hits to the bottom line.

That can’t last forever.   (H/T: Vox Day)

 

Disney and the Beast

The House the Mouse built has long been known for being supportive of the gay agenda.  It appears, however, the propaganda machine has been cranked to 11:

It’s the smooch reverberating far beyond the Magic Kingdom: Disney’s first gay kiss was featured in an episode of the animated children’s cartoon (!!) Star vs. the Forces of Evil.

“Just Friends,” a recent episode of the Disney series, finds characters Star, Marco, and Jackie attending the concert of their favorite band, Love Sentence. The music inspires most of the audience to lock lips with their significant others, and a few same-sex couples are included.

Meanwhile, having advertised the live-action movie version of “Beauty and the Beast” and built expectations among parents and children, now Disney announces a slight change in the classic plot:

Josh Gad is setting a milestone for Disney: His portrayal of LeFou in the live-action rendition of “Beauty and the Beast” will be Disney’s first openly gay character.

In the film, which stars Emma Watson as Belle and Dan Stevens as the Beast, Gad plays LeFou, the eccentric sidekick to antagonist Gaston (Luke Evans). In a slight modification, LeFou will engage in a subplot of his own that deals with his sexuality.

“LeFou is somebody who on one day wants to be Gaston and on another day wants to kiss Gaston,” director Bill Condon told Attitude magazine.

Disney is so committed to this hellish agenda that it is even willing to take a major hit in ratings to continue to push it (ABC is owned by Disney.  For an ideology that preaches ‘diversity,’ there isn’t as much in the entertainment industry as you might think):

ABC can’t be accused of underplaying When We Rise, its eight-hour drama miniseries chronicling the struggles and setbacks of LGBT activists in the 20th century.

Some thought the show, created by award-winning gay activist Dustin Lance Black and aired on four nights this week, goes out of its way to portray middle America as intolerant homophobes. When We Rise received saturation ad coverage during the Oscars ahead of its premiere this week, to the extent that one Twitter commentator joked that if he drunk alcohol every time he saw an advert for the show, he’d be dead by the end of the Academy Awards broadcast.

But part one of When We Rise flopped on Monday. As a result, ABC rescheduled Modern Family to run just before the second installment to boost ratings. However, viewership of the second part fell almost 1 million viewers from its premiere, netting an audience of only 2.05 million on Wednesday, which is pathetic for prime-time slot on a commercial TV network.

While the ABC ideological bludgeoning is more adult fare, the other two cases clearly show Disney is now aiming to confuse the next generation about sexuality.  The company has become a toxic mix of the Vanity Fair of “Pilgrim’s Progress” and a living out of the darker aspects that have long been an integral part of Disney’s storytelling.

For these and many other reasons, I would not be surprised to see the next Star Wars installment feature a gay character.  Indeed, the way Finn and Poe clicked in “The Force Awakens” gave me a sense of pointing in that direction.  Now that Disney owns that lucrative property, I can’t imagine it not using the franchise in its brainwashing efforts.

Christ once said it would be better that someone have a millstone tied around his neck and be cast into the sea than to cause one of His little ones to stumble.  The highly talented but twisted leadership of Disney will have much to answer for one day.  They now serve a Beast even darker and more dangerous than the one in their upcoming movie.