A flood of evidence

Scientists are still seeking an explanation for a significant gap in the geological record:

When the famed explorer John Wesley Powell bumped, splashed and thrashed his way down the Colorado River in 1869, he discovered one of the most striking geologic features on Earth. Not the Grand Canyon — although that too is a marvel — but a conspicuous boundary between the sunset-colored sediments of the upper walls and the dark, jagged rocks below them.

Powell had learned to read the layers of desert rocks like pages in a book, and he recognized that the boundary represented a missing chapter in Earth’s geological history. Later, researchers realized it was more like an entire lost volume, spanning roughly one-fifth of Earth’s existence, and that a similar gap existed in many places around the world.

There must have been some sort of special event in Earth’s history that led to widespread erosion,” said Steve Marshak, a geologist at the University of Illinois at Urbana-Champaign who studies what has come to be known as the Great Unconformity. (emphasis added)…

Since there are so few rocks from that period, the researchers had to look for other kinds of clues to figure out what happened. They reasoned that the missing layers probably went through the full geologic spin cycle: They would have been broken down into sediment and washed out to sea, then deposited on the ocean floor and recycled into the mantle during subduction before finally melting into the magma that feeds volcanoes.

Keller’s team found stark variations in the oxygen and hafnium in zircons, consistent with the continents losing an average of 2 to 3 vertical miles of rock.  “We are talking about an absolutely huge amount of crust being eroded,” he said. “In which case, we should have noticed it missing — and we have.”  (emphasis added)

The story’s headline notes a leading theory for this erosion being repeated eras of glaciation — “snowball earth” — but the story also notes the theory may not explain the rate of erosion.  Here’s another idea:

In the six hundredth year of Noah’s life, on the seventeenth day of the second month—on that day all the springs of the great deep burst forth, and the floodgates of the heavens were opened.  And rain fell on the earth forty days and forty nights… The waters flooded the earth for a hundred and fifty days. (Genesis 7:6-10, 24; emphasis added)

The Flood was more than just torrential rain.  The “springs of the great deep” imply massive tectonic upheaval — just the sort of thing to produce the enormous recycling of crust described in the linked article above.  There’s no question these combined effects could account for the erosion and “Great Unconformity,” because Scripture also tells us:

Above all, you must understand that in the last days scoffers will come, scoffing and following their own evil desires. They will say, “Where is this ‘coming’ he promised? Ever since our ancestors died, everything goes on as it has since the beginning of creation.” But they deliberately forget that long ago by God’s word the heavens came into being and the earth was formed out of water and by water.  By these waters also the world of that time was deluged and destroyed.  By the same word the present heavens and earth are reserved for fire, being kept for the day of judgment and destruction of the ungodly.  (2 Peter 3:3-7; emphasis added)

There IS a ‘great unconformity’ between the world that is, and the world that was.  There is an even greater unconformity between the world that is, and the world that is to come. The present world is filled with evidence of the Creator and the truth of His Word — for those who “have ears to hear.”

No matter what credentials are attached to one’s name, there is no excuse for denials.  Sadly, that won’t prevent many of today’s most brilliant scientific minds from reflexively ruling out any chance that Scripture has something to tell them.

Still out there… even in China

Hollywood is beginning to notice there are still quite a few people left who are interested in uplifting and edifying entertainment:

Given the crop of projects being shopped at the Cannes film market that features Christian-themed narratives — notably An Interview With God, Samson and God Bless the Broken Road — and with Wim Wenders’ doc Pope Francis: A Man of His Word playing as an official selection at the festival, there are signs that fare once ignored by international buyers and Cannes programmers is receiving a warm welcome…

“When I was first approached to take on [An Interview With God], I felt reluctant because I thought, ‘Oh my God, there really isn’t an evangelical community outside of the United States,’” says Wander. “But we’ve been getting interest from places like China — I never would have thought that — Japan, the U.K., spots that typically don’t respond to these kinds of films.”

One has to be careful here, because what Hollywood calls “faith-based” is often over-the-top heretical and completely un-Biblical (see: Noah).  That said, recent films like Paul – Apostle of Christ are showing it doesn’t take a large bankroll to produce a film worth seeing, particularly when one stays respectful of the source material.  When such films triple their production budget in ticket receipts, even secular (but profit-minded) Hollywood begins to take note.

This is one reason it’s critical Christians are careful with our entertainment vote, which consists of how we choose to spend our money.  Noah only made money because of the overseas market – it would have been a flop on domestic tickets alone.  While Hollywood knows the overseas market is lucrative, the experience with Noah will give them pause.  Similarly, A Wrinkle In Time, which largely abandoned what Christian influence was in the original book, has also underwhelmed at the box office (and is rumored to have lost $100 million for Disney).

There is great potential here.  Moviemakers who desire to honor God with their work have raised their game, rising above some of the cheesy stereotypes of their past efforts.  If Hollywood decides this is a financially winning formula, it’s possible they’ll support these projects, even if they personally disdain the worldview involved.  I don’t expect Hollywood to become a source of evangelical proselytizing.  But moving the window closer to God’s perspective would be a great development for our culture.  He can speak even through the unlikeliest of messengers.

Consider that seriously when you choose your entertainment.  Are you helping to strengthen our mass media culture, or going along with its slide?

“Noah?” Uh, no.

A Hollywood bigwig is frustrated that Christians want Biblical accounts treated accurately when brought to the big screen:

“I was upset — of course,” the director says of Paramount testing alternate versions of the $125 million epic (“Noah”) as he and the studio break their silence on efforts to appease a small but vocal segment of the faith-based audience: “Those people can be noisy.”

What’s interesting is the characterization of evangelical Christians as a “small” segment of the audience… and yet it apparently involves enough potential revenue the studio is concerned about offending it.  Which is it?

This article makes clear that any concession to Biblical accuracy will merely be an attempt to gain revenue.  It is not a reflection of any respect for the message of the account of Noah: that there IS a God who, despite His desire to have a relationship with humanity, will not suspend judgement of sin indefinitely.  And yet that same God provides a means of deliverance from judgement, for those who will trust Him.

That is a message the world needs to hear as much today as it ever has — so naturally, the Prince of the Power of the Air(waves) will do his utmost to muddle it.

Dear Christian: if you have any commitment to Biblical truth, vote with your wallet and take a pass on this film.  Spend your money with those who respect the messages of God’s Word, not just its box office potential.  If your curiosity must be sated wait and rent it from Netflix, so that those folks only get to sell a single DVD, not thousands of theater tickets.  Anything else sends a green light to Hollywood to make more of this junk.